Logan's Run - the TV Series
Base of Galactic Science Fiction :: SCIENCE FICTION in TELEVISION :: Bronze Age of TV Science Fiction
Page 1 of 1
Logan's Run - the TV Series
Logan's Run aired on TV from September, 1977 to January, 1978
The TV series known as Logan's Run was based on the film of the same name from 1976; the film itself was based on a sixties sf novel by William F. Nolan and George Clayton Johnson. The series was produced by Ivan Goff and Ben Roberts, who followed most of the same premise as the film, with some interesting differences. When the new series was mentioned in the 9th issue of Starlog (October, 1977), it was thought to perhaps become the most successful TV SFer since Star Trek. It didn't turn out that way, lasting only 14 episodes, some of which never even aired on the west coast of the USA. The pilot episode, ending up as a longer 90-minute episode, utilized stock footage from the big-budget film for most of the city shots.
The similarity to the film was as follows: the story takes place in Earth's far future, year 2319 (this actually is a bit different from the film, which took place in the 23rd century). It begins inside "The City of Domes," a futuristic city shielded from the outside environment by a number of huge domes which cover the structures and the populace. The people live lives of luxury and carefree abandon, though life for each ends at age 30; when a citizen reaches that age, they must undergo the strange ritual of Carousel: they each dress up in costumes and weird masks, floating up in the center of an arena until each is disintegrated. The gullible populace believes that certain people are renewed - reborn in new baby bodies (like their version of reincarnation). But, in reality, no one is renewed; these programmed deaths are necessary to keep the perfect population balance in the city. Apparently, a super computer runs everything (it speaks with a female voice; it sounds like the same voice as in the film).
The main character is Logan-5 (Gregory Harrison; he was played by Michael York in the film version), usually referred to as simply Logan. He is a Sandman, one of this city's policemen. Sandmen apparently have only one duty: hunt down runners, those who seek to escape Carousel (yes, not everyone is so naive). As the first episode begins, Logan himself is depicted as having recently begun to question this whole Carousel business and the way of life in the city, unusual for a Sandman. His best friend and fellow Sandman is Francis (Randy Powell; played by Richard Jordan in the film). In the pilot episode, Logan flees the city with fellow citizen Jessica-6 (Heather Menzies; played by Jenny Agutter in the film), who had been helping runners seek out Sanctuary.
_____Filming the Pilot Episode >
As in the film, it is unclear if Sanctuary is an actual physical place or just a state of mind; in the film, Logan comes to a conclusion that it doesn't really exist, but he may have jumped to a conclusion. Sanctuary represents an escape and an ideal, rolled into one. The series depicted Logan and Jessica's quest to find this Sanctuary as they encountered the various communities which existed on this 24th century Earth. They are pursued by Francis, who is always accompanied by a couple of other Sandmen. Logan & Jessica run across the new character of Rem (Donald Moffat) towards the final act of the pilot episode; Rem is an android who accompanies them on their adventures (Rem, btw, is nothing like Box, the mechanical man which Logan & Jessica encounter in the film).
Besides Rem, the main difference between this series and the film is the revelation that not just computers run The City of Domes. The show's producers felt that there wasn't sufficient explanation in the film for how the computer or computers run the city; so, in the series pilot, Francis finds out that the computers are run by a secret Council of Elders. This is a council of about half-a-dozen members, comprised of men who look about 50 to 60 years of age; the spokesman for this council was played by Morgan Woodward. They apparently inhabit a section of the city that no one is allowed to venture into. These are the true, secret rulers of the city; they send Francis after Logan & Jessica.
This addition to the mythos of Logan's Run veered the premise rather sharply away from the whole 'machines-ruling-man' proposition. It might have made a bit more sense in the seventies, when the thought of machines running everything by their lonesome was still regarded as somewhat ridiculous (after all, someone made the machines so someone has to be running/maintaining them, right?). But, since the Terminator and Matrix films, the premise of machines ruling over man has gained more prominence, as well as the inevitable progress of computers in our reality. Finally, the series excluded the color palm clocks which were in the film; the producers felt that these would be too troublesome.
The TV series known as Logan's Run was based on the film of the same name from 1976; the film itself was based on a sixties sf novel by William F. Nolan and George Clayton Johnson. The series was produced by Ivan Goff and Ben Roberts, who followed most of the same premise as the film, with some interesting differences. When the new series was mentioned in the 9th issue of Starlog (October, 1977), it was thought to perhaps become the most successful TV SFer since Star Trek. It didn't turn out that way, lasting only 14 episodes, some of which never even aired on the west coast of the USA. The pilot episode, ending up as a longer 90-minute episode, utilized stock footage from the big-budget film for most of the city shots.
The similarity to the film was as follows: the story takes place in Earth's far future, year 2319 (this actually is a bit different from the film, which took place in the 23rd century). It begins inside "The City of Domes," a futuristic city shielded from the outside environment by a number of huge domes which cover the structures and the populace. The people live lives of luxury and carefree abandon, though life for each ends at age 30; when a citizen reaches that age, they must undergo the strange ritual of Carousel: they each dress up in costumes and weird masks, floating up in the center of an arena until each is disintegrated. The gullible populace believes that certain people are renewed - reborn in new baby bodies (like their version of reincarnation). But, in reality, no one is renewed; these programmed deaths are necessary to keep the perfect population balance in the city. Apparently, a super computer runs everything (it speaks with a female voice; it sounds like the same voice as in the film).
The main character is Logan-5 (Gregory Harrison; he was played by Michael York in the film version), usually referred to as simply Logan. He is a Sandman, one of this city's policemen. Sandmen apparently have only one duty: hunt down runners, those who seek to escape Carousel (yes, not everyone is so naive). As the first episode begins, Logan himself is depicted as having recently begun to question this whole Carousel business and the way of life in the city, unusual for a Sandman. His best friend and fellow Sandman is Francis (Randy Powell; played by Richard Jordan in the film). In the pilot episode, Logan flees the city with fellow citizen Jessica-6 (Heather Menzies; played by Jenny Agutter in the film), who had been helping runners seek out Sanctuary.
_____Filming the Pilot Episode >
As in the film, it is unclear if Sanctuary is an actual physical place or just a state of mind; in the film, Logan comes to a conclusion that it doesn't really exist, but he may have jumped to a conclusion. Sanctuary represents an escape and an ideal, rolled into one. The series depicted Logan and Jessica's quest to find this Sanctuary as they encountered the various communities which existed on this 24th century Earth. They are pursued by Francis, who is always accompanied by a couple of other Sandmen. Logan & Jessica run across the new character of Rem (Donald Moffat) towards the final act of the pilot episode; Rem is an android who accompanies them on their adventures (Rem, btw, is nothing like Box, the mechanical man which Logan & Jessica encounter in the film).
Besides Rem, the main difference between this series and the film is the revelation that not just computers run The City of Domes. The show's producers felt that there wasn't sufficient explanation in the film for how the computer or computers run the city; so, in the series pilot, Francis finds out that the computers are run by a secret Council of Elders. This is a council of about half-a-dozen members, comprised of men who look about 50 to 60 years of age; the spokesman for this council was played by Morgan Woodward. They apparently inhabit a section of the city that no one is allowed to venture into. These are the true, secret rulers of the city; they send Francis after Logan & Jessica.
This addition to the mythos of Logan's Run veered the premise rather sharply away from the whole 'machines-ruling-man' proposition. It might have made a bit more sense in the seventies, when the thought of machines running everything by their lonesome was still regarded as somewhat ridiculous (after all, someone made the machines so someone has to be running/maintaining them, right?). But, since the Terminator and Matrix films, the premise of machines ruling over man has gained more prominence, as well as the inevitable progress of computers in our reality. Finally, the series excluded the color palm clocks which were in the film; the producers felt that these would be too troublesome.
Similar topics
» Ark II series
» Superman the Series
» Masters - a short series
» Batman the Series of Camp
» Planet of the Apes series (1974)
» Superman the Series
» Masters - a short series
» Batman the Series of Camp
» Planet of the Apes series (1974)
Base of Galactic Science Fiction :: SCIENCE FICTION in TELEVISION :: Bronze Age of TV Science Fiction
Page 1 of 1
Permissions in this forum:
You cannot reply to topics in this forum